By Marta Karpovich
Conclave begins with the Pope’s death and depicts priests from around the world gathering for a conclave that will decide the next Pope. Each priest has a chance to win the papacy, and the film reveals the lengths to which these holy men will go to accrue power.
Conclave is made with the same mastery that defines so many of our classic films, such as The Godfather and The Graduate. There is no aspect of the film that does not add to the tension, the characters’ development and the audience’s investment in the lives of the priests on screen. Edward Berger displays absolutely beautiful direction, and the shots themselves are intriguing enough to make one lean foreword in their seat. The composition of his work seems to be perfect, the images on the screen working together in perfect harmony.
In addition to the direction, the sound design of Conclave builds tension throughout the film, emphasizing the gravity of this story and the stakes at play. Stopping and starting at just the right moments, the music in Conclave leaves the audience yearning for more.
The screenwriting is also masterfully done, balancing intensity and humor in a perfect combination. The dialogue is profound and each word is steeped with meaning, while the irony of some of the lines makes one laugh out loud. Much of this can be attributed to the wonderful actors, as well, who each embody their parts to perfection.
My prediction is that Edward Berger will win Best Director this awards season for Conclave.
UPDATE: At the 2025 Golden Globes, held January 5, Conclave won Best Original Screenplay
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